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By Florentin Smarandache

"Outer-Art" is a circulate manage as a protest opposed to, or to ridicule, the random glossy paintings which states that every thing is… artwork!
It used to be initiated by means of Florentin Smarandache, in Nineties, who paradoxically known as for an upside-down art: to do paintings in a fashion it isn't alleged to be performed, i.e. to make artwork as grotesque, as foolish, as incorrect as attainable, and usually as most unlikely as attainable.

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Due to the fact that 1997, she facilities her researches on internet paintings (sites, chat_and_cam performances, videoconferences), and particularly at the production of networked collective areas: (with the cooperation of greater than 2 hundred overseas artists). ” “This is a non-linear narration : no starting no finish nor chronology. flip the pages one after one, or open a number of home windows whilst, in line with the capacities of your computing device. Play with, affiliate the tips freely, the background builds itself, by no means the same... ” [Tamara Laï] “Hey my buddy what is the subject? ” is a web piece through Pino Boresta. The undertaking combines proven paintings innovations, equivalent to documentation of a previous occasion (photo stills), functionality (the real act that used to be photographed), and person interactivity (visitors to the positioning being invited to give a contribution an opinion). ” [Pino Boresta, Italy] " is wasting its which means, every little thing may be deconstructed and reevaluated. drawback in cultural id lies because of technological improvement globalization and virtualization. obstacles among paintings, literature, technological know-how and so on. are vanishing or melting to one another - to . New conceptions of paintings are according to info alternate and interactivity. Cultural elites are wasting their positions ... to laptop networks. are widespread. as an individual who lives within the ‘Net’: both human or no longer, both latest in RL (real lifestyles) or now not, both built of 1 individual or no longer. ” [Tiia Johannson, “Marginal prestige in electronic Art”, MFA Thesis, 1997, Estonia] “A fusion among media-art and tradition membership shaped the Visomat Inc. (Berlin), which make the most of business structures of surveying, with the purpose of visualizing the song. a mix of noise, heavy beats, sluggish and atypical voices, summary photographs, digital tune, video. Multimedia Installations. ” [Recyclart information, 09 April 2003] not just arts are contradictory, yet technological know-how too. an exceptional innovation and success named "ketuo technology” (study or –sophy, might be extenics in English) via chinese language researchers [mainly Wen Cai] on contradictory arithmetic encompasses a paradoxism in technological know-how, built for twenty years and proved by means of the chinese language Academy of technology to be one of the maximum thoughts within the background of the realm. In sleek logics many Boolean rules don't practice any more. 10 Let’s give some thought to an entity, what's no longer , and the other of . what's neither nor is termed (neutrality). If has obscure / vague / not-well-defined limitations, then we don’t be aware of the place ends and starts off, accordingly we can have: 1 … i (i. e. and have a nonempty universal part). Even at time t isn't the same as at time t+1. those aren't non-logical statements, yet they replicate a definite truth. in particular the Sorites paradoxes are during this type. what's artwork and what's no longer artwork? [Andrée Lemieux] Their frontiers aren't transparent. Whence rt and art intersect! We contain non-artistic principles into creative rules, we have now a few non-artistic rules remodeled or reinterpreted as creative principles.

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